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38. TIM STORRIER
Within the sculptural realm, Tim Storrier’s remarkable talent for capturing fine detail in two-dimensional form is further amplified. Storrier’s art stems from his ability to isolate a moment in time and perfect it with intense detail. Within his canvases, we see Storrier champion expansive
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39. GEORGE BALDESSIN
George Baldessin’s surrealist sculpture and printmaking quickly saw him rise to prominence within the Melbourne art scene in the 1970s, until his untimely death in a car accident at just 39 years of age.
Baldessin’s most prominent motif was his pears, which were employed as a symbo
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53. CRESSIDA CAMPBELL
To visit the home and studio of Cressida Campbell is a great privilege. The sound of water trickles in the background as the cool air of the studio mixes with the humid February heat. The space feels like organised chaos. Hundreds of contorting watercolour tubes sit a
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54. BEN QUILTY
Sleepless (Kenny) 2018 combines many of Ben Quilty’s characteristic themes and visual motifs. Portraiture is at the heart of his practice and having won the Archibald Prize in 2011 for his portrait of Margaret Olley (1923-2011), Quilty went on to produ
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55. ARTHUR BOYD
Arthur Boyd’s Bathers on Rocks and Water Tower combines a highly imaginative response to the traditional bather or ‘figure in the landscape’ theme with a distinctly Australian setting. It alludes to classical mythology and contains biting social commentary on o
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ARTHUR BOYD, Stone Crusher, Berwick 1948
The years following the Second World War were lean times that brought families back together seeking common ties and a meaningful life...
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BRETT WHITELEY, Untitled (Heron, Rain and Wind)
Brett Whiteley’s elegantly subtle multi-media painting Heron, Rain and Wind of 1973, reveals a hidden, certainly lesser-known, side of the Sydney wunderkind...
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CHARLES BLACKMAN, Untitled 1955-56
This intriguing precursor to the Alice in Wonderland series has recently emerged from a private collection...
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DEL KATHRYN BARTON, In Night Too 2012
The relationship between artist Del Kathryn Barton, her audience, and the outlandish but very human images that find their way onto her canvas is a complex one.
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