Clifford Possum Tjapaltjarri was born on Napperby Station about two hundred kilometres north-west of Mparntwe (Alice Springs). Like many other Anmatyerr people, his family moved to the east region of their country following the Coniston Massacre of the mid-1920s. The artist started his worki
Born around 1943 at Tjiturrunya, Ronnie Tjampitjinpa grew up as a member of the Pintupi tribe approximately one hundred kilometres west of the Kintore Ranges across the Western Australian border. Spending most of his early years with his family travelling throughout the remote and vast deser
After more than a decade of living amongst the bustle of London’s Hampstead, in 1970 Arthur Boyd rented a modest gamekeeper’s cottage near Ramsholt in Suffolk, allowing him peace and quiet, a studio and a place to reconnect with the landscape. This duly revived his interest in the Aust
The first question confronting any artist painting the landscape is ‘where is the viewpoint’? Should it be as seen from a standing or sitting position, with a low horizon and lots of sky for a dramatic interpretation as in the bayside works of Rick Amor (born 1948) or, perhaps a high v
Sidney Nolan is Australia’s greatest modernist painter and remains one of our most universally recognised artists. During his lifetime he developed an enduring reputation both in Australia and abroad with a proliferation of exhibitions in major cities across the globe. Most notable is of cou
The many ideas and notions explored by Arthur Boyd, and which found their way into his art, never threatened to overwhelm him. Since the early 1940s when he was still a young man and unknown artist, he had looked for ways to give depth to his thoughts by taking an omnivorous approach to stim
Dominating the vast majority of his oeuvre, John Kelly’s cow paintings and sculptures were originally inspired by William Dobell’s (1899-1970) creation of papier-mâché cows during World War II, deployed as camouflage around defence bases as a strategy to deceive enemy aircraft.
‘Wh
Dominating the vast majority of his oeuvre, John Kelly’s cow paintings and sculptures were originally inspired by William Dobell’s (1899-1970) creation of papier-mâché cows during World War II, deployed as camouflage around defence bases as a strategy to deceive enemy aircraft.
‘Wh
As suggested by its title, The Conflict 1959-60 arose from a turbulent period in the history of modern Australian art. In August 1959, John Brack participated in the now-legendary Antipodeans exhibition at the Victorian Artists’ Society, Melbourne, appearing alongside